The shape and the space

If, looking at any object, we could hide its colour ( and sensations of a sudden change in temperature
resulting from this), the identification of the material of which it is made (hardness, malleability, plasticity) and the mnemonic comparison with other objects stored in our wealth of experience, we could see the PURE SHAPE.
Imagining also to remove the object , if we could stop the time and the movement related to it exsisting in real life, we could see the space where the shape was before.
In real life we are catched by “symbol-objects” that attract us above all for for their aesthetic aspect, colour or brightness, distracting us for the inverse relationship between appearance and needs.
With “art inside” the work is the space, defined by the internal shape of the artefact: a spatial positive enclosed in a negative of material, where this one becomes a bearing, such as a virtual canvas waiting for the painting.
It is completely usable, breathable: people are invited to live it entering it (may be only having a look) and they will form part of it until they will come out of it. They will become at the same time users and protagonists, living the positive or negative feelings of those who previously wanted to leave a mark on the material that defines the shape, and he himself could be also an occasional co-author (as specified by the author).
The outward appearance does not matter (it can be a geometric shape known or any other), its brightness, colour, the look of the material are unimportant because they are not equivalent to the inner surface, detectable only looking into it.